I thought that there might be some out there curious to see what an entire storyboarded sequence looks like before it's sent to Korea to be animated. Then again, I've been wrong before. The production of "Victim of Fashion" fell between seasons one and two, and we were able to spend a little extra time with it (as a result, it expanded into a half hour special). This was especially exciting to me, because it meant that I'd get to do some storyboarding on the show myself (this happens very rarely), collaborating with Brandon Kruse. Here's one of my favorite sequences I got to work on.